Film and fashions essays

Film and fashions essays Very often, we come across persons trying to imitate their favorite star, be it in actions or in apparels. It cannot be denied that our viewers, especially those who are conscious about their outlook in dresses, are crazy for new films. When such about persons talk among themselves, that can freely and comment on who wore what and where in which sequence of a particular film. Variety has always attracted mans attention. A new dress on the screen cannot go unnoticed. The impression sets on the minds of the fashions conscious people. Their next step is to hunt for the similar dress in boutiques and major fashion joints or visit the tailor to get dress stitched. The general appeal is that what looked gaudy and attractive on the screen will surely look good on them. Mind it! It is not necessary that they look as appealing as the star wearing that dress. If we watched our old times movies we can notice that fashions repeat to a certain extent with a little alternation here and there. Te comes a time when a tradition outfit gets the importance of being la mode. Even hairstyles are not left behind. Our stars are trendsetters, and all the fans are the followers. Like films, fashions have no set rules. Take any new film, the directors or the producers concept is new. Wear anything different to set spark a blaze and thats fashion! The world of films and fashions are so interlinked that it is not possible to say that they do not influence each other. Fashions from the West are put forth in our Indian films and the attractive and the attentive viewers create the wave. Here fashions influence the dress designers will to make his star wear a particular dress. Film makers need fashions up-to-date to give audience a variety to select from and the fashion makers look forward to the films to give them new ideas. Thus, films and fashions are inter-dependent. It is maze that has neither the beginning n ...

10 Tips for Critiquing Other Peoples Writing

10 Tips for Critiquing Other Peoples Writing 10 Tips for Critiquing Other People’s Writing 10 Tips for Critiquing Other People’s Writing By Mark Nichol You’ve agreed to review someone else’s writing. You’ve taken my advice and determined whether the person is requesting a general impression or is asking for an in-depth critique. If the writer has the latter in mind, you’ve offered to evaluate a brief sample as a guide to help the person extrapolate what they should look for when they revise their draft. (If you’re asked to critique an entire book in depth, you should do so only for pay or as part of a bartering arrangement, because you’re being asked to devote dozens of hours of your time.) You have also determined to be honest and objective, because that is what the writer wants and needs: If you note structural weaknesses or flaccid prose, a literary agent or an editor will certainly do so, and your task is to help the writer resolve such flaws so that they are absent from the manuscript the writer eventually submits to an agent or a publisher. Here are ten tips for a positive, productive critiquing experience: 1. Tolerate the Task When you write, you don’t have to be an aficionado or expert to produce an article or a story on a given topic. Editors don’t need these qualifications, either, and they don’t have to be enamored of the writer’s voice or technique. The same goes for someone conducting a critique: Don’t turn down a request for feedback just because you’re not interested in the subject or you don’t like the writing style. Help the writer succeed in reaching the audience they are writing for. (But don’t hesitate to express your opinion if you think the approach is flawed.) 2. Ask for a Clean Copy The manuscript sample you receive should appear exactly as it would look when it’s ready for submission to a publishing professional. Hard copy should be double spaced and must be free of handwritten annotations or emendations. An electronic document should be professionally formatted and at least mostly devoid of the writer’s notes to self. 3. Mark It Up If you’re reviewing an electronic copy, activate change tracking and edit it. Insert notes using the comment feature or by entering them in brackets, highlighted in boldface or with colored type or background, so they are easily located and distinguished from the content. If you’re working on hard copy, use a pen or a colored pencil for brief notes, and write or type your detailed queries and comments on a separate sheet of paper or in a computer document. 4. Evaluate the Writing, Not the Writer Compliments and complaints alike should focus on the product, not the producer. Refer to the sentence or the section, the character or their actions, the narrative flow or the exchange of dialogue rather than to the person who requested your help. Suggest how to improve the article or the story, not the writer. 5. Start and Stop with the Positive Whether you’re responding with general impressions or providing detailed feedback, begin by lauding the strengths of the sample, and reiterate your positive feedback when you summarize your critique. Refer to strengths, not weaknesses, and use positive language: â€Å"stronger,† â€Å"more interesting,† â€Å"a better approach.† Be frank but diplomatic: Even people who can take criticism need to hear that they’re doing something right, and that’s what you should start (and end) with. 6. Craft Your Critiques Be specific, not vague. Be active, not passive. Point out problems, but suggest solutions. Your goal is to clearly communicate to the writer about how they can more clearly communicate to their readers. 7. Guide, Don’t Carry The writer will appreciate focused feedback, and you should feel free to model precise changes in structure or tone and detailed revisions of narrative or dialogue, but do so sparingly. Think of your advice as patterns for the writer to use as templates, or you may end up rewriting the piece, and the writer will have learned little or nothing (except never to ask for your help again). 8. Invite Questions Set up a time to go over your critique after the writer has had a chance to review it. Welcome the writer’s requests for clarification and discussion. If the writer becomes defensive, mention that you have offered your perspective, and that they are free to act on your critique as they see fit. 9. Follow Up Check in with the writer and see how they’re progressing. No matter how careful you are about being diplomatic, the writer may feel a bit battered, and part of your unwritten contract should include a clause requiring you to keep in touch about the project. 10. Know Your Limits It’s reasonable for a writer to ask you for a second light look at the piece after they have made changes in response to your comments, or to request that you provide a general impression about a revision based on your in-depth critique. But establish boundaries about how much time and effort you expend on the writer’s work. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Fiction Writing category, check our popular posts, or choose a related post below:35 Synonyms for â€Å"Look†Used To vs. Use ToHow Do You Fare?